Academic Papers

Mode as Harmonic Function: Modal Chromaticism in “Salvator Mundi” from Howells’ Requiem

Contradictions and Symmetry: Surface and Foundational Structures in Elliott Carter’s Canon for 4 – Homage to William

Gesture as Compositional Technique: Similar Paths Among 20th-century Iconoclasts

L’homme arme as Linchpin: Compositional Process and the Renaissance’s Most Popular Tune

Stirrings in Early Compositional Style: Josquin, Ockeghem, and the Emergence of Motivicity

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