Mode as Harmonic Function: Modal Chromaticism in “Salvator Mundi” from Howells’ Requiem
Contradictions and Symmetry: Surface and Foundational Structures in Elliott Carter’s Canon for 4 – Homage to William
Gesture as Compositional Technique: Similar Paths Among 20th-century Iconoclasts
L’homme arme as Linchpin: Compositional Process and the Renaissance’s Most Popular Tune
Stirrings in Early Compositional Style: Josquin, Ockeghem, and the Emergence of Motivicity
I composed the score and conducted a live chamber orchestra for the film Of Fortune […]
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Academic Papers
Mode as Harmonic Function: Modal Chromaticism in “Salvator Mundi” from Howells’ Requiem
Contradictions and Symmetry: Surface and Foundational Structures in Elliott Carter’s Canon for 4 – Homage to William
Gesture as Compositional Technique: Similar Paths Among 20th-century Iconoclasts
L’homme arme as Linchpin: Compositional Process and the Renaissance’s Most Popular Tune
Stirrings in Early Compositional Style: Josquin, Ockeghem, and the Emergence of Motivicity